Shoot in Apple Log, edit on a pro timeline, grade like a colorist, mix your sound, and turn any look into a LUT.
Every stage of the pipeline lives in one machined workflow. No round trips, no exports between apps, no quality lost in translation.
Apple Log capture, ProRes 4K up to 120 fps, locked manual exposure.
Magnetic pro timeline, frame accurate trims, ripple and roll.
Node based grading, power windows, scopes tuned for log footage.
Six band EQ, film style compressor, per channel metering.
ProRes or H.265 masters, plus any look distilled into a .cube LUT.
v3.4.0 rebuilds the camera from zero, adds 49 composition guides and a pro RGB histogram.
Shoot in Apple Log and ProRes 4K with full manual control. Apply your LUT live in the viewfinder.
Live overlays on the viewfinder while you shoot: rule of thirds, golden spiral, lead room, symmetry. Each guide opens a page that explains why it works.
A professional timeline with as many video and audio tracks as you need. Trim, ripple, J/L cuts, keyframes.
Node Graph, Color Wheels, Curves, HSL Qualifier, Power Windows and 6 scopes.
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LOG
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Export any grade as an industry-standard .cube file for DaVinci, Premiere or Final Cut.
Volume, fades, and a graph of audio nodes for EQ, compression and effects.
HEVC, H.264 or ProRes up to 4K with correct BT.709/BT.2020 tags. Turn any grade into a .cube LUT.
